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Do They Know I'm Running?
Do They Know I'm Running?
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David gives an overview of the book:

Roque Montalvo is wise beyond his eighteen years. Orphaned at birth, a gifted musician, he’s stuck in a California backwater, helping his Salvadoran aunt care for his damaged brother, an ex-marine badly wounded in Iraq. When immigration agents arrest his uncle, the family has nowhere else to turn. Roque, badgered by his street-hardened cousin, agrees to bring the old man back, relying on the criminal gangs that control the dangerous smuggling routes from El Salvador, through Guatemala and Mexico, to the U.S. border. But his cousin has told Roque only so much. In reality, he will have to transport not just his uncle but two others: an Arab whose intentions are disturbingly vague and a young beauty promised to a Mexican crime lord. Roque discovers that his journey involves crossing more than one kind of border, and he will be asked time and again to choose between...
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Roque Montalvo is wise beyond his eighteen years. Orphaned at birth, a gifted musician, he’s stuck in a California backwater, helping his Salvadoran aunt care for his damaged brother, an ex-marine badly wounded in Iraq. When immigration agents arrest his uncle, the family has nowhere else to turn. Roque, badgered by his street-hardened cousin, agrees to bring the old man back, relying on the criminal gangs that control the dangerous smuggling routes from El Salvador, through Guatemala and Mexico, to the U.S. border.

But his cousin has told Roque only so much. In reality, he will have to transport not just his uncle but two others: an Arab whose intentions are disturbingly vague and a young beauty promised to a Mexican crime lord. Roque discovers that his journey involves crossing more than one kind of border, and he will be asked time and again to choose between survival and betrayal—of his country, his family, his heart.

Read an excerpt »

It was daybreak and the rancher, standing at his kitchen window, watched two silhouettes stagger forward through the desert scrub. One clutched the other but they both seemed hurt. The porch light, the rancher thought, that’s the thing they been walking toward all night. See it for miles. All the way from the footpaths snaking through the mountains out of Mexico.

            Rooster lurched at the end of his chain, hackles up, that snarl in his bark, trying to warn the strangers off. They just kept coming. All right then, he thought. Not like you wanted this. He set his coffee in the sink and went to the door leading out to the porch and collected the shotgun kept there, racked a shell into the chamber, stepped outside.

            Streamers of winter cloud laced the sky, pale to the east, purplish dark to the west. A cold parched wind keened in the telephone wires. The landscape bristled with nopal, saguaro, cholla. Black ancient ironwood cropped up here and there among the mesquite and Joshua trees.

            Before he could close the door behind him, his wife called his name. She eased forward unsteadily out of the hallway shadow, robe cinched tight. The gaunt face, once framed with steel- gray hair pulled back and braided into a rope, now seemed all the more stark with her pallor and the stubbled baldness. The treatments were savaging her bone marrow too. He wondered sometimes whether the cure wasn’t worse than the disease—wondered as well whether he’d be anywhere near as brave when his time came.

            Where does the promise go when it leaves you, he wondered. He wished the years had made them calm and strong and wise, but here they were, her sick, him afraid, trying to protect each other—their stake owned free and clear but now little more than a borderland throughway, shadows scurrying past the house at night, sometimes trying the door, shattering a window, hoping for shelter or water or food. Same problem everywhere: the Stanhope girl—raped last spring. Old woman Hobbes—robbed at knifepoint, truck stolen, the fridge ransacked and the house turned upside down for cash before the culprits scurried off, leaving her tied up in her garage. Enough, everybody said. Things’re only getting worse across the border. We’ll form patrols. We’ll make an example out of every goddamn tonk we catch.

            But there’s more to “enough” than the saying of it, too much terrain to patrol and too many who still slip through to make an example mean anything. Ask the two lurching forward. The promise hadn’t left them just yet. It was as simple as a steady light glowing at the foot of a mountain pass with the black desert floor beyond. He felt the pump gun’s weight in his hands, a commensurate weight on his soul. It was that second burden that haunted him.

            “They don’t look too good,” she told him, feeling her way forward, hand to the wall.

            He met her eyes. “They do that sometimes.”

            “Is that how we think now?”

            “Not because we want to. Remember that part.”

            He turned away and marched across the porch onto the hardpan, telling the dog to be still. The two figures—the one being dragged, on closer inspection, appeared to be female—staggered

past a line of cholla with their huge bulbs of barbed spikes. God only knows what they suffered in the night, he thought: sidewinders, rattlers, scorpions. Thieves. But pity won’t help. Pity’s the problem.

            As they came within twenty yards he saw it, stuffed into the man’s pants. A pistol. It happened of its own accord then—shotgun raised, tight to the shoulder, barrel aimed straight at the armed man’s midriff.

            “¡Alto! Tengo una escopeta. Esta es propiedad privada.”

            It was half the Spanish he knew—Stop, I have a shotgun. This is private property—but he might as well have shouted it to the wind. The man just kept coming, one of the woman’s arms hooked across his shoulder. The other hung limp at her side. Her steps were ragged, she looked barely conscious. The rancher felt his finger coil tight around the trigger.

            “I said stop! Alto, damn it. Won’t say it again. Next thing I do is shoot.”

            As though rousted from a terrible dream, the stranger glanced up, still shuffling his feet, dragging the woman.

            From behind: “He’s barely more than a boy.”

            “Stay in the house!” The guilt and fear, knowing she was right—knowing too that he was all that stood between them and her—it quickened into rage and the impulse quivered down his

arm into his hand.

            Then the young half- dead stranger with the pistol called out in a dust- dry voice, his wrds a challenge and a plea and a cry of recognition all in one. “Don’t shoot! Help us . . . please . . .  I'm an American . . .”

            The rancher tucked the gun butt tighter into the clenched muscle and aching bone of his shoulder. Don’t believe him, he told himself. Don’t believe one damn word.

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Note from the author coming soon...

About David

A recovering Catholic, one-time bar band gypsy, and former private investigator with the San Francisco firm of Palladino & Sutherland, David Corbett has had his work hailed as "the best in contemporary crime fiction—or, if I may be so bold, in contemporary fiction,...

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Published Reviews

Jan.06.2008

Before he began writing novels, David Corbett spent 15 years as an operative with a San Francisco private investigation firm, an experience that left him without illusion about the ubiquity of crime,...

Jan.06.2008

Oscar Wilde once quipped that the truth is rarely pure and never simple. Amen to that, says "Blood of Paradise," David Corbett's powerful and deeply unsettling novel of Americans attempting to...